Patterns of Fashion 4

The Cut and Construction of Linen Shirts, Smocks, Neckwear, Headwear and Accessories for Men and Women C. 1540-1660


$49.95

  • 128 Pages
  • 14x11 Paper
  • Color and B&W Illustrations
  • Costume & Fashion Press / QSM
  • 9780896762626
  • 0-89676-262-9

Anyone interested in the history of dress, from art historians to stage designers, from museum curators to teachers of fashion and costume, cannot function effectively without Janet Arnold’s Patterns of Fashion series. Since her death in 1998, admirers of her work have been waiting, with increasing impatience, for the promised volume devoted to the linen clothes of the Elizabethan and early Stuart periods, a companion to her previous volume on tailored clothes of the same era.

Planned and partly prepared by Janet herself, and completed by Jenny Tiramani, Janet’s last pupil, no other book exists that is dedicated to the linen clothes that covered the body from the skin outwards. It contains full color portraits and photographs of details of garments in the explanatory section, as well as patterns for 85 items of linen clothing, which range from men’s shirts and women’s smocks, from superb ruffs and collars to boot hose and children’s stomachers.

Beautifully produced, Patterns of Fashion 4 is an invaluable guide to both the history and the recreation of these wonderful garments. In addition to the 85 patterns and numerous detailed sketches, there are 178 black and white illustrations and photographs and 433 color photographs.

Janet Arnold

Janet Arnold (1932-1998) was a dress historian, artist, fashion designer and teacher who pioneered research into the cut and construction of clothes from the 16th to the early 20th century. Her studies revealed invaluable information on the clothing of the past, and her publications on the sartorial details and patterns of historical dress continue to have a profound impact on many disciplines and institutions, academic and creative. Her patterns and drawings remain a primary source for designers of costume for the stage, film and television, and her research proves indispensable to art historians interpreting portraiture and genre painting, as well as to conservators for the physical analysis and identification of surviving dress. For over a decade, Janet Arnold collaborated with the conservation department of Palazzo Pitti’s Galleria del Costume in Florence, contributing her expertise on historical dress. There she actively participated in the lengthy and difficult process of documenting and conserving the 16th century burial clothes from the Medici tombs, writing several publications and giving many lectures about the project. Her books are essential tools for the study of dress and have been used throughout the world.