| A
unique collection of lively, in-depth, musically
savvy conversations with
contemporary film composers of every style,
background, and position in Hollywood’s
hierarchy, The Score brings together a broad cross-section of current
thoughts about the process of film composing,
styles of film music, and working within
today’s
entertainment industry.
Interviews with
• John
Barry (From
Russia with Love, Dances with Wolves, Out
of Africa)
• Elmer
Bernstein (To
Kill a Mockingbird, The Magnificent Seven, The
Grifters)
• Terence
Blanchard (Malcolm X, Crooklyn, Clockers)
• Bruce
Broughton (Silverado,
The Presidio, Tombstone)
• Paul
Chihara (Crossing
Delancey, The Morning After, Prince of the
City)
• John
Corigliano (Altered
States, The Red Violin, Revolution)
• James
Newton Howard (The Fugitive, The Prince of Tides, Devil’s Advocate)
• Mark
Isham (A
River Runs Through It, Cool World, Quiz Show)
• Daniel
Licht (Thinner,
Children of the Night, Permanent Midnight)
• Joel
McNeely (The
Avengers, Radioland Murders, Virus)
• Thomas
Newman (The
Shawshank Redemption, The people vs, Larry
Flynt, The Horse Whisperer)
• Marc
Shaiman (City
Slickers, A Few Good Men, Ghosts of Mississippi)
• Howard
Shore (The
Silence of the Lambs, Ed Wood, Naked Lunch)
• Shirley
Walker (Escape
from L.A., Batman: Mask of the Phantasm, Turbulence)
• Christopher
Young (Hellraiser, Species, Murder in the First)
|